Producción CyT
Artículo
Autoría
Lepori, Matías
;
MARTEL, ALVARO RODRIGO
Fecha
2019
Editorial y Lugar de Edición
Museo Chileno de Arte Precolombino
Revista
Boletín del Museo Chileno de Arte Precolombino,
vol. 24
(pp. 35-52)
Museo Chileno de Arte Precolombino
Resumen
Información suministrada por el agente en
SIGEVA
Was rock art a way in which past societies expressed changes in other aspects of their life? Or was it (through its planning, production and consumption) an active and necessary element of these change processes? In this paper we use the concept of entanglement as a tool for understanding the networks of rela- tionships of which rock art, as a materiality, was part. Our main objective is to reassess the agency of rock art during the transitional process to food production in Antofagasta de la S...
Was rock art a way in which past societies expressed changes in other aspects of their life? Or was it (through its planning, production and consumption) an active and necessary element of these change processes? In this paper we use the concept of entanglement as a tool for understanding the networks of rela- tionships of which rock art, as a materiality, was part. Our main objective is to reassess the agency of rock art during the transitional process to food production in Antofagasta de la Sierra (Southern Argentinian Puna), looking into the material and non-material intertwinings produced during the formation of the social fabric.
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Palabras Clave
PUNA MERIDIONALTRANSICIONENTANGLEMENTARTE RUPESTRE
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