Un misterio sin enigma: gótico, espacio urbano y exotismo en La luz argentina de César Aira
Articulo
Autoría:
GUERRA, JUAN JOSÉFecha:
2022Editorial y Lugar de Edición:
University of PittsburghRevista:
Catedral Tomada. Revista de Crítica Literaria Latinoamericana, vol. 10 (pp. 213-247) - ISSN 2169-0847University of Pittsburgh
ISSN:
2169-0847Resumen
The aim of this paper is to analyze La luz argentina (1983), by César Aira, based on the verification that it constitutes the first urban-themed piece in the writer’s work. Our hypothesisisthattheprolificseriesthatmakesuptheurbancycleinAira’swork,identified almostexclusivelywiththeFlorescycle,isactuallyinauguratedwiththisnovel.AlthoughLa luz argentina tells a story of interiors in which the city appears mostly indirectly, the characters’refugeofintimacydoesnotconstituteahermeticandimpermeablespacebut,on thecontrary,ishauntedbytheoutside.Thus,thecityimposesitsghostlypresenceevenin domesticlifeandnotonlythroughthenocturnalexcursionsof thecharacters.Palabras Clave
LITERATURA ARGENTINAGÓTICOCIUDADCÉSAR AIRA