Producción CyT

Yuppies, Junkies, and Mules: Narcotic Subjectivities, Dialectical Images, and Contemporary Art in Córdoba (Argentina)

Artículo

Autoría:

Blázquez, Gustavo

Fecha:

2012

Editorial y Lugar de Edición:

Hemisferic Institute of Performance and Politics. New York University

Revista:

E-MISFÉRICA. PERFORMANCE AND POLITICS IN THE AMERICAS (pp. 1-2) - ISSN 1554-3706
Hemisferic Institute of Performance and Politics. New York University

ISSN:

1554-3706

Resumen *

Abstract: Any analysis of contemporary societies lacks objectivity if it omits the production, distribution, and consumption on a planetary scale of psychoactive substances considered illegal by nation states and international organizations. In the management of these "illegal molecules" dissolved in the humors that constitute the inner space of subjects, a ?war machine? has been installed that is capable of "exciting" both life and death. What subjectivities might such an active narco-machine produce in the capitalism of the first decade of the 21st century? This matter is considered through an ethnography of the nightly consumption habits of youths in the city of Córdoba and their experiences of cocaine use. As a counterpoint, the essay then examines the work of the Argentinean artist Adriana Bustos as she critically explores the relationship between colonial biomules and contemporary narcomules. Información suministrada por el agente en SIGEVA

Palabras Clave

NarcotraficPerformanceSubjetivityContemporary Art