Atlas Neguentrópico: Dispositivos biopoéticos distribuidos para una ecología activista en la era algorítmica

Article

Authorship

BORISONIK, HERNAN GABRIEL ; Silva, gonzalo ; Valente, Claudia

Date

2026

Publishing House and Editing Place

Centro Argentino de Investigadores de Arte

Magazine

Caiana Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte (pp. 45-59) - ISSN 2313-9242
Centro Argentino de Investigadores de Arte

ISSN

2313-9242

Summary Information provided by the agent in SIGEVA

Various contemporary perspectives converge in observing that algorithmic automation has become an infrastructure that reorganises both productive systems and the symbolic and affective frameworks structuring lived experience within a force field further strained by a global socio-environmental crisis. This shift raises urgent challenges concerning the production of meaning in times of eco-social collapse. In response, this article presents the Negentropic Atlas, an artistic project combining bi... Various contemporary perspectives converge in observing that algorithmic automation has become an infrastructure that reorganises both productive systems and the symbolic and affective frameworks structuring lived experience within a force field further strained by a global socio-environmental crisis. This shift raises urgent challenges concerning the production of meaning in times of eco-social collapse. In response, this article presents the Negentropic Atlas, an artistic project combining biosensing, collaborative design, and open-source technologies to rethink the relationship between technics, ecology, and economics. Drawing primarily on Bernard Stiegler while engaging with biosemiotics (Mandoki), the project proposes the transduction of biodata into a Negentropic Index: a symbiotic metric enabling a sensitive engagement with the vitality of water bodies and sympoietic communication. The form of its sensors —inspired by extinct organisms—and its distributed architecture, among other features, points toward a collective reappropriation of technics through an interspecific poetics and an environmentalist ethic. This text elaborates on how the Negentropic Atlas operates as a situated practice of biosemiotic resistance, generating meaning from the materiality of life’s languages.